Gallery

Videos made with Tools that Propel

These videos form part of my PhD thesis, entitled Encounters between dance and digital meaning: discovering potential in the question of movement. As an interactive PDF, my thesis is to be read and to be watched and listened to. Throughout the text readers encounter this series of videos, that are curated from hundreds of hours of session recordings created by Tools that Propel, an edited video document of the performance piece Body of Memory, and a series of semi-structured interviews and studio discussions that were recorded at key points along the research process.

These videos can be experienced as a journey through many of the ideas in the thesis, as they play out through the entangled voices of participant dancers who have used the system for (up to) approximately 33 days each, extended over 2 years of research time. In the thesis itself, they are designed to interweave with the text, sit alongside it, or imbricate it. Sometimes they interrupt the reading, expanding it or contradicting it. Sometimes they rub up against it, sometimes they elucidate it, sometimes they open up other perspectives or avenues of thought or enquiry. They are part of the collective individuation of the work.

Equally, the videos operate in their own right, as artworks and as documents of an entangled, collaborative process of becoming with Tools that Propel. Here, in this gallery, they are a way into the ideas, intentions, and questions within the research, to enjoy serially, individually, in one sitting, or at leisure over time.

First Encounters

Yi Xuan Kwek, Maria Evans (with Rebecca Moss), Kuldip Singh-Barmi (with Katrina Brown), Joshua Barwick, Rebecca Bassett-Graham

Holly Evans, Keir Clyne, Maria Evans, Yi Xuan Kwek

What is Tools that Propel?

Maria Evans

Brandon Holloway, Holly Jones, Rebecca Moss, Yi Xuan Kwek, Maria Evans, Keir Clyne, Sofie Hub-Nielson

Trying Background Removal

Holly Jones, Katherine Sweet, Keir Clyne, Yi Xuan Kwek, Brandon Holloway, Maria Evans

Holly Jones, Katherine Sweet, Keir Clyne, Yi Xuan Kwek, Maria Evans, Rebecca Moss, Brandon Holloway

Agency, unpredictability and affect

Zach McCullough

Zach McCullough, Euan Hastings, Sarah Levinsky, Yi Xuan Kwek, Maria Evans

Yi Holding Space

Yi Xuan Kwek

Maria Evans, Sarah Levinsky, Zach McCullough, Yi Xuan Kwek

Not Knowing

Maria Evans, Zach McCullough, Yi Xuan Kwek

Maria Evans, Zach McCullough, Sarah Levinsky, Yi Xuan Kwek

Facing Yourself

Maria Evans

Maria Evans, Euan Hastings, Sarah Levinsky, Yi Xuan Kwek

Time Past

Maria Evans, Yi Xuan Kwek

Yi Xuan Kwek, Maria Evans

Chorus line – repetition and reperformance

Yi Xuan Kwek, Maria Evans

Playing with the Repertoire – Graham’s Night Journey 

Brandon Holloway, Yi Xuan Kwek

Playing with the Repertoire – Baush’s Vollmond

Maria Evans

Playing with the Repertoire – Forsythe’s Artefact II

Yi Xuan Kwek, Zach McCullough

Working it out (Brick walls)

Zach McCullough

Sarah Levinsky, Zach McCullough, Maria Evans

Body of Memory – 1st Section

Maria Evans

Sarah Levinsky, Euan Hastings, Maria Evans, Zach McCullough

Body of Memory – 2nd Section

Maria Evans, Zach McCullough, Yi Xuan Kwek

Zach McCullough, Yi Xuan Kwek, Maria Evans, Euan Hastings, Sarah Levinsky

Music: Matthew Collington

Body of Memory – 3rd Section

Maria Evans, Yi Xuan Kwek, Zach McCullough

Matthew Collington

Body of Memory – 4th Section

Maria Evans, Yi Xuan Kwek, Zach McCullough

Matthew Collington